![]() Where the instead of being divided like this is divided like this or this or. īy dividing Compound meter beats into two (duplets) or four (quadruplets): Where the, instead of being divided like this is divided like this. In both simple and compound meter we can deny the usual division of the beat.īy dividing Simple meter beats into three (triplets): We can add a dot to every note, extending its value by exactly half as much again. It is this relationship between each of the notes that the American note names are based on: the hemi-demi-semi-quaver is one half of the demi-semi-quaver, so it is 1/64 of the semi-breve.the demi-semi-quaver has a value of half of the semi-quaver.the semi-quaver is one half of the quaver, so it is 1/16 of the semi-breve.the quaver has a value of half of the crotchet.the crotchet has a value of half of the minim, so it is 1/4 of the semi-breve.the minim has a value of half of the semi-breve, so it is 1/2 of the semi-breve.Each of the other notes in the diagram below are half as short again: The semi-breve is the longest single note we usually see today. The relationship between notes is relative. However, instruments (and singers) don’t play all the time they need time to breathe or the music needs to pause to increase its effect and meaning, so we also have a range of rests indicating how long an instrument should be silent. We actually have a range of notes that we can use, each telling us how long a note should sound for. The most fundamental aspect of a sound is how long it lasts: what amount of time passes by while it is sounding? Sounds come in all varieties, long and short, loud and soft, high and low. When we control the time of individual notes and between individual notes on an instrument, we are controlling rhythmġ Durations: Sounds and silences, notes and rests When we control the time between pulses we are controlling pitch and frequency. The control of time allows us to sustain sounds for specific amounts of time or to sustain silences in the same way.Īs in comedy, so it is in music, timing is everything.Įverything in music is about controlling time. Time: Sounds, Silences, Signatures and Rhythm
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